year-end invitation
年末邀請卡 ———— year-end invitation
回到靜浦如何，伊麥沉思一下說，有點沒隱私，阿伯可能一早就在門口大叫，叫她起床，要給她魚吃。
回家了沒有浪漫的歸屬感，可是會在變動裡建立某種恆常，像行星一樣偏移又繞著軌道，也像是每個季節做的新物件，每個年末帶回來保養的物件吧！
人生起起伏伏的，可是都不會影響想做的事情，我是一個堅定的人，伊麥想了老半天，只說了這個。
有點熱鬧的年末，十月到十二月之間，準備了鵝卵石長短夾、皮革小三角包的新品，還有年末民藝保養活動、材料履歷紀錄本，以及第一次開放的靜浦工作室保養預約。
做了一些特別版本的手繪貼紙年末邀請卡，憑邀請卡預約活動，歡迎填寫表單，會在十月初陸續寄出，記得留意實體信箱！
oct. pebble wallets
nov. mingei care event (taipei / hualien)
dec. mini leather triangle bag
*民藝保養活動包含*
皮革編織整理、皮革保養
皮革背帶調整（打洞、可調式）
水桶、瓢壺草編包袋舊換新換購
三角包帆布包袋舊換新換購
草木染三角包覆染
year-end invitation
how’s life back in cawi’? a little lack of privacy, imay said, an uncle might call loudly at your door very early in the morning, just to give you some fish for breakfast.
going home may not be so romantic, but something ordinary and constant slowly builds through all the changes, like planets drifting but still following their orbits, like making new objects every season, or bringing old ones back for care and repair every year-end.
life has its ups and downs, but it won’t move the things i want to do, i am a firm person, she said.
a little busy year-end, from oct to dec, we prepared pebble wallets, mini leather triangle bags, and a series of mingei care events, including, for the first time, appointments at the cawi’ studio.
we drew some special sticker sets as invitation cards, appointments can be made with the invitation cards, all cards will be sent out in early oct, remember to check your physical mailbox, we look forward to seeing you!
*oct — pebble wallets
*nov — mingei care event (taipei / hualien)
*dec — mini leather triangle bag
// invitation form link in bio, the form will be open for one week, until sep 30.
year-end invitation form
在靜浦找到福木了！伊麥傳訊息過來，今天先跟 kacaw 和 lafa 一起去跟地主打招呼，想到地方其實不是土地，而是關於很多的移動，拜訪，交換，還有路徑交錯然後才變成立體的。
lafa 收工的時候，會拍夕陽浮在海上的影片。天氣好的時候，伊麥會自己去屋頂看海一氣呵成剪浪草。
回到海邊的人們，有種尼莫游回大海，如魚得水的感覺。
we found fukugi in cawi‘! imay sent a message, today she went with kacaw and lafa to say hello to the landowner first. a place is not about land, but about movements, visits, exchanges, and routes formed along the way.
when lafa finishes work, he takes little clips of the sunset over the sea. when the weather is good, imay goes up to the rooftop by herself to trim the grass and look at the sea. people moving back to the coast somehow seem like nemo swimming back into the ocean, like fish back in water.
我要訪談每個工藝師為什麼要編織，伊麥說，我想聽「因為要賺錢啊」，她大笑著說，kacaw 就是這樣回答的，可是其實因為想碰到纖維，kacaw 很早就自己搬到海線，練習編藤，染布，研究每次染出來不一樣的檳榔顏色，用務實的原因，包裝深情的投入，很帥氣呢。
在去靜浦的路上，伊麥對站在台 11 線路邊探頭探腦的 lafa 按喇叭，lafa 說他在看藤，吃完飛魚攤離開，下大雨的時候，QMO 在後座淋雨狂搖尾巴，從靜浦回來的路上，kacaw 呢喃了好多工藝的糾結，可是客人拿起草木染都是珍惜的，敬重的，kacaw 好像就笑了，昏暗中看的模模糊糊。
花蓮工作室六月要搬到靜浦了，像是奧德賽終於回到家鄉。
i want to interview every craftsman about why they weave. imay said, "i don't want the official answer 'mission', i like the answer like 'because i need to make money.'" she laughed; that's how kacaw replied to her. but indeed kacaw moved back to the coastline very early for the fibers, to weave rattan, to dye and to figure out every natural color reaction. it is classy to cover deep devotion with practical reasons.
on the road to cawi', imay honked at lafa who was standing along the country road to seek rattans. leaving the flying fish shop the rain poured and qmo was so happy sitting in the back of the car. on the road back to downtown, kacaw murmured about his struggle with the craft, but customers loved and cherished the dyeing practices so much, he seemed to laugh fulfilledly in the dark.
the hualien studio is moving to cawi' in june. like the odyssey, finally home.